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Peachtree Road 10th anniv edition Anne Rivers Siddons 9780061097232 Books

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Peachtree Road 10th anniv edition Anne Rivers Siddons 9780061097232 Books

Anne Rivers Siddons is an outstanding writer, no question. I was eager to read this book, but had put off starting it for quite some time, as I knew I would be making an investment -- both with respect to emotion and time (this book runs around 800 pages). Bottom line, I am not sorry I committed to it. I do, however, believe it could have been somewhat shorter. Though one can get lost in the flowery, descriptive nature of Ms. Siddons' writing, some parts were a bit redundant -- particularly when describing the Buckhead, Georgia, scene (Buckhead being a suburb of Atlanta) during its growth years of the 50s, 60s and 70s.

There can be no doubt the era described here was quite a time to be alive and be a Buckhead girl or boy (a Pink or Jell). I don't want to give away the plotline, and some can be read in other reviews, but just want to comment on the depth and breadth of the writing and book itself. I was astounded by some of the things described between the families and cousins and the bonds of the children who became the young people and then adults. The book centered around one man and his relationships -- with his family and those external to his family. The scope of understanding of the era and the people was exquisitely documented. While I wanted it to end -- it was very long -- I also didn't want it to end.

Ms. Siddons' writing is awesome; I've read about four or five of her books. While my favorites are Downtown and Colony, I know Peachtree Road will stay with me for some time ... And I look forward to reading some books by this author.


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Peachtree Road 10th anniv edition Anne Rivers Siddons 9780061097232 Books Reviews

The old gentile Atlanta of Peachtree Road, a culture that brought the vibrant Hotlanta of today has been buried, faded away like an old watercolor. It killed Lucy Bondurant, stifled her uniqueness and drove her into an luridly degraded ending--and made Shep Bondurant, her cousin, a shadow of a man, unable to break away from his unhealthy addiction to Lucy-ness.

The story was long, but it was vivid. Shep's entire life was overwhelmed by his cousin Lucy's eccentricities. He dragged into a codependent relationship, always protecting, excusing, and picking Lucy up whenever she failed. The problem was her failures grew deeper and darker until the shocking end.

The story starts with Lucy's funeral, but it goes back to the beginning when Shep first meets her as a child. This book almost begs to be read twice, because only then can you understand, knowing the ending, all of the pitfalls that led to her sad demise. Colorful language and vivid descriptions coupled with powerful drama makes for an American classic.

The ending was very abrupt. But perhaps it is for the better. Sarah Cameron Gentry, a slice of normality, is there to mark his trail and offer Shep a chance to actually live a real life free from the Lucy-ness that enslaved him.
I read Colony several months ago and found it interesting but "very" long. Right before starting Peachtree Road, I read Nora, Nora A Novel. I really did enjoy that one and it held my interest. Then I started Peachtree Road. I found it way too wordy and just couldn't imagine getting through the 600+ pages, so I put it down. I will go back and read it at some point, but I do wish the book was a little more concise. I believe the story would be just as interesting in about half the volume of pages.
There's no other way to say it,"Peachtree Road" is the written word at its finest; 797 pages of evocative, soul-stirring wonder written in a first person voice that laughs in the face of lesser writers adhering to the widely, overemphasized and uninspired writing rule of "show, don't tell." This book tells, and it does so fearlessly in a voice that could only come from a blue-blooded insider coming of age in 1960's Atlanta. Without judgment or condescension, and more in the vein of an objective matter of course, the reader is gifted with the voice of Shep Bondurant as he lays the backdrop of his riveting life shaping story, a story so scathingly unusual as to psychologically scar, yet somehow the reader understands the crumbs offered along the way of this cause and effect, sins of the father story.
In the opulence of aristocratic, pre-civil rights Atlanta, when the city was but a Southern town divided by race and class, partitioned into those who live in mansions and those who serve within, Shep Bondurant is an only child rattling around his family mansion on Peachtree Road. An unexpected knock on the front door sets the course of his life in motion, when his parents unwittingly take in a poor relation and her two small children on sufferance. Thus the stage is set when Shep, a sensitive, lonely boy, has his cloistered life blown open up by the entrance of his cousin, Lucy Bondurant, who is damaged and captivatingly feral as an alley cat. The two form an immediate bond that deepens as the pair mature, but it is its repercussions that play throughout this episodic story, wreaking havoc beneath the surface of a setting where all that glitters is not gold. "Peachtree Road" unapologetically captures a way of life in an era long gone by. It is populated by emblematic, supportive characters, and weaves and dodges as it finds its footing in an arc spanning fifty years in the turbulent, most pivotal times of the American South. It is a human drama uninfluenced by privilege, the kind that reminds us all that there is no escaping life's disillusioning, difining sorrows, nor their lasting effects. Authentically and accurately told, "Peachtree Road" reaches into the bone marrow and leaves its handprint; it is an epic Southern saga for the ages and one not to be missed.
Anne Rivers Siddons is an outstanding writer, no question. I was eager to read this book, but had put off starting it for quite some time, as I knew I would be making an investment -- both with respect to emotion and time (this book runs around 800 pages). Bottom line, I am not sorry I committed to it. I do, however, believe it could have been somewhat shorter. Though one can get lost in the flowery, descriptive nature of Ms. Siddons' writing, some parts were a bit redundant -- particularly when describing the Buckhead, Georgia, scene (Buckhead being a suburb of Atlanta) during its growth years of the 50s, 60s and 70s.

There can be no doubt the era described here was quite a time to be alive and be a Buckhead girl or boy (a Pink or Jell). I don't want to give away the plotline, and some can be read in other reviews, but just want to comment on the depth and breadth of the writing and book itself. I was astounded by some of the things described between the families and cousins and the bonds of the children who became the young people and then adults. The book centered around one man and his relationships -- with his family and those external to his family. The scope of understanding of the era and the people was exquisitely documented. While I wanted it to end -- it was very long -- I also didn't want it to end.

Ms. Siddons' writing is awesome; I've read about four or five of her books. While my favorites are Downtown and Colony, I know Peachtree Road will stay with me for some time ... And I look forward to reading some books by this author.